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taylor swift begin again live wallpaper. Numerous ‘Grammy Award’ winner, singer-songwriter and country-pop star Taylor Swift is living every teenager’s dream. Born in a small town, she changed the way the current generation perceived country music. Being compared to the likes of legendary country artists such as Dolly Parton and Willie Nelson, Swift was only sixteen when she released her debut album. She is not only a great vocalist, but the 27 year old can also skillfully play instruments such as the guitar, piano and ukulele.

Download Taylor Swift Live Wallpaper from our given resolutions. We have the best collection of taylor swift HD wallpapers. In case you don’t find the perfect resolution, you may download the original size or any higher resolution HD wallpapers which will best fit your screen. She is the only female artist to have won two ‘Album of the Year’ awards at the Grammy’s. Her chart-busters like ‘Love Story’ and ‘You Belong with Me’ brought her global recognition. With the release of every album, she breaks her own record. She is an inspiration to several aspiring artists. Not only is she listed in the platinum-selling albums of all time, she also embodies compassion as she has extended unending support to several charitable organisations. She aims for the stars and reaches greater heights without any hesitation.

taylor swift red photoshoot. Taylor Alison Swift was born to Andrea Gardner Swift and Scott Kingsley Swift on 13th December, 1989 in Reading, Pennsylvania. Her father was a stockbroker, while her mother was a homemaker who brought up Taylor and her younger brother, Austin. She attended Alvernia Montessori School. Taylor and Austin used to attend Bible classes as their parents were Presbyterian Church goers. When she was only 9 months her mother placed her on a saddle, from then on horse riding became her hobby. She was gifted her own pony named Ginger. Taylor went on to win several horse riding races. we also have other taylor swift fearless photoshoot ready as lwp for you.

taylor swift red photoshoot. After moving to Wyomissing, she joined the Youth Theatre Academy productions and traveled quite frequently to New York for acting and vocal lessons. She began playing the guitar after a computer mechanic taught her to play three cords. She was only twelve, but instantly took to country music. She was inspired by Shania Twain and the Dixie Chicks. In school, she won a national poetry competition on submitting a poem called “Monster in My Closet”. It is her gift for poetry that helped her song-writing. The first song she wrote was “Lucky You”.

And that’s why her Red is her best album, because it’s the album where she most effectively lays bare her emotional life in all its messy complexity. And while there are cases to be made for all of her records the precocious perceptiveness of her debut and the sonic cohesion of Fearless and the singular authorship of Speak Now and the razorlike clarity of 1989 in this house we stand Red. It captures the experience of being young and coming into your own emotional power, the way that opens you up to both elation and anguish, and how volatile it can feel to swing from one extreme to the other.

There is a lyric on the opening song, “State of Grace,” where she sings, “This is the golden age of something good and right and real.” What a statement  the unabashed grandiosity of it. But when she sang it, I believed her. The greatest moments on Red aren’t the obvious ones. Certainly “We Are Never Ever Getting Back Together” is an unimpeachable smash, and it too is a case study in hyperbole, from that extra “ever” in the title (in the title!) to the high drama of Swift groaning, “This is exhausting.” Red marked the first time that Swift teamed up with the Swedish writer and producer Max Martin, and her work with Martin and acolyte Shellback made the hooks catchier than they’d ever been before.

“I Knew You Were Trouble” sounds like the biggest song in the world being played underwater, that breathless dubstep-lite bounce a middle-finger to country-radio programmers, and it’s impossible, too, to resist the millennial pink fizz of “22” and its neutered naughtiness, like the soundtrack to shoplifting from a suburban Claire’s. Songs like these are a forever summer, and on them Swift sounds more youthful than she did when she was an actual teenager.

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